Jacob Elordi on ‘Euphoria’ Intense Set and ‘Kissing Booth’ Fame – The Hollywood Reporter

Jacob Elordi, in a new profile for British GQis clarifying more Happinessintense filming, as well as his own process behind playing the “anti-hero” Nate Jacobs.

“What people see on television, the footage people are talking about, the emotions they get, the conversation around the show, it’s because certain shots will take 30 seconds, ” Elordi talks about the dialogue surrounding the 2022 Emmys hit by the tight schedule of the HBO drama, which the network described as “complicated”.

Elordi has previously defended the Sam Levinson series’ long shooting days, describing them as sometimes as long as 16 hours, after anonymous actors voiced complaints on set during a Daily Beast article. “It’s like labor and love for work. You can’t do that stuff in a short amount of time,” Elordi said of his commitment to playing the role of a toxic and tortured teenager for two seasons, and will again in an upcoming third, to The Hollywood Reporter this early year.

Jacob Elordi included GQ’s new hype problem.

Courtesy of Eli Russell Linnetz / GQ

The 25-year-old Australian describes working on land Happiness is “an absolute treat” and praises the writer-creator-director Levinson’s approach. “When I worked with Sam, I was in the trenches with him, and I trusted him, and I worked to the bone for him,” Elordi said. GQ staff writer Clay Skipper at Twentynine Palms, where the actor is resting while preparing to star in Emerald Fennell’s Saltburn. “I think I’ve read people who say, ‘Look, that’s a bad image to set, you don’t have to go all out for art.’ God damn it. I like it.”

Elordi, who says he honed his acting skills by reading biographs and profiles, watching movies and emulating the classic Hollywood looks of Daniel Day Lewis and Steve McQueen, also shared the insight. about how he approached the role of Nate, who is aptly described as “The Meat-Eating Maniac” in the profile, due to his history with female characters in the octane teen drama high.

While transcending both the sports and theater worlds in high school, he credited his original role as Oberon, King of the Fairies, for Shakespeare’s A Midsummer Night’s Dream as transformative to subvert expectations around gender and ultimately help inform how he plays Nate.

“When they said I was gay, I remember I put on a lot of makeup,” he recalls the responses of his peers. “I thought, if I become the King of Fairies, I’ll be the King of the Hottest Fairies you’ve ever seen.”

Continues, “I’ve moved away from beer culture and sports culture, and I was like, if you think this is gay, I’m going to be who I am when I’m your friend, that’s you this heterosexual guy, but I will play art. I’ll do it, and I’ll show you how bullshit it is. I could never figure it out – how can you label anything, ever? How can you label sport as masculine? How does your sexuality inform your competence as an athlete, or your competence as a performer? “

Finding a balance between part-jock and part-thespian is what he brought with him when he played Nate, Elordi said: “I hope that is what the performance is all about. Happiness. It’s the muscles and the heart. Those are Montgomery Clift and Marlon Brando. “

Elordi also recounts his breakout role in the Netflix franchise Kissing booth brought in overnight fame (he went to bed the night the first YA movie came out on streamer and woke up 4 million new Instagram followers) and shared how he “battled” his smoking his character. “I remember saying, ‘He smoked in the book. I need to smoke. He needs to have cigarettes. He’s a bad boy,” Elordi said in the filing, referring to the novel by Beth Reekles.

However, the authority-was-rejected request of Elordi. “I said, ‘This is bullshit.’ I remember fighting for it. I was like, are we lying to the millions of damn 14 year olds out there? This guy smokes nicotine. It says here on page four – look! I imagine everyone is like goddamn Jesus. Is this guy serious? “

Elordi also said that he is quite serious about his desire to quit the business after Kissing booth. It “sounds pretty sensitive and dramatic, but I’m sensitive and I’m very dramatic,” he said of wanting to give up because of the sudden rise in popularity. “I hate being a public figure. I felt so far away from myself.”

Chris Gardner contributed to this story.

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