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‘The Banshees of Inisherin’ Should Get Colin Farrell an Oscar Nomination


Have a little time in Inisherin’s Bansheeswhere you can see Colin FarrellThe soul is being crushed.

In writer-director Martin McDonagh’s new film — best known for BILLIONhree Billboards Outside Ebbing, Missouri—Farrell plays Pádraic Súilleabháin, a farmer on a small Irish island in 1923. His best friend and drinking buddy, Colm Doherty (Brendan Gleeson), has just told him he no longer wants to go. play with him again. Padraic in particular did not do anything to offend Colm; Colm just found him boring, and would rather spend his brief time on Earth writing funny tunes than talking about the content of Padraic’s beasts. Farrell’s face turned from confused to heartbroken for a moment. It’s further proof that it’s time for Colin Farrell to get an Oscar nomination.

At this point, it is crazy that Colin Farrell is not recognized in any way by the Academy. Since rising to prominence in the early 2000s, he has shed his initial reputation in the tabloids to become one of the industry’s most compelling actors, an actor whose presence has always made a difference. adds nuance to any movie he’s in. Yet he somehow still feels underappreciated, preferring someone you can count on to be better than someone you can trust. prize for good.

This year is a big holiday for Farrell fans. In After Yang, he’s muted and lamented as a man tries to connect with his adopted daughter after her beloved robotic companion malfunctions. It’s his turn Batman It’s basically the opposite of that — as Penguin, he’s a de Niro impression cloaked in prosthetics. And, hey, maybe you didn’t catch it Thirteen livesRon Howard’s interpretation of the Thai cave rescue, but Farrell performed quite well in that dramatic film, playing one of the stoic divers who succeeded in rescuing the team.

He ends the year with Banshees, allowing him to do work based on all his strengths, especially his ability to find the absurd in the absurd. He should be celebrated for that.

Inisherin’s Banshees hit the fall festival circuit this month. It has earned a 13 minutes of warm welcome after its premiere this weekend at the Venice Film Festival, an event that stings more with that kind of celebration than the crowds at Cannes. The film reunites Farrell with McDonagh, who first realizes that Farrell fits perfectly into the (incredibly) Irish brand of dark humor with In BrugesS. That film also pairs Farrell with Gleeson as lost assassins living in a sleepy Belgian town, waiting for guidance from their boss.

When In Bruges released in 2008, Farrell is not far away stay in rehab and is still largely associated with “bad boy” image that followed him throughout his ascent in Hollywood. He has worked with directors like Oliver Stone and Michael Mann, but in films that were, at least at the time, considered less accomplished. (Mann’s Miami Vice has since been hailed by film buffs as its masterpiece; Stone of AlexanderNot much.)

As Farrell got older, his career choices only became more interesting. He proved to be the muse of Yorgos Lanthimos in Lobster and The death of a scared deer, sliding into strange settings with a knack for deadpan by the Greek director. He relies on his good looks to play a skinny wounded soldier in a house filled with women’s desires in Sofia Coppola’s The Beguiledand turned into a ruthless politician in Chicago for Steve McQueen’s Relict.

Banshees feels like both a return to home for Farrell and an extension to his most creative output. It takes him back to his hometown and in the orbit of his two former collaborators, but it’s also transformative. He doesn’t hide his face like he did inside Batmanbut he’s a far cry from the flashy movie star whose eyes sparkle with unfathomable intelligence.

To put it bluntly, Padraic was not a smart man. He’s a man of simple pleasures: He loves his animals, especially a little donkey, and goes to the pub every day around 2pm for a drink with his best friend Colm . When Colm stopped that, his world was destroyed. And though Colm threatens to harm himself if Pádraic should even talk to him, Pádraic refuses to leave him alone, allowing a rather simple disagreement to escalate to a violent end. The experience fundamentally changes the psychological makeup of Padraic. Farrell let his sweet dullness slip away until his heart hardened with bitterness.

Banshees may not really be the Academy’s cup of tea. Reputation Foundation omitted nominations for McDonagh’s Three billboards, but it’s a (controversial) movie that talks loudly about racism and sexual abuse. While the plot of Banshees is a great metaphor for the Irish Civil War, which McDonagh frames as a needlessly bloody battle between old friends for no real reason, it’s also small in size and scope. Take it at face value and it’s just about two men acting childish.

This is why I worry that Farrell will once again be overlooked by the Oscars. There will be other performances this year that are bigger and with more important quotes, but Pádraic Súilleabháin is a character that will live on in my brain, a completely unique creation from a completely unique actor.



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